Q&A with SLASH and MYLES KENNEDY
SLASH and his band mates have announced their
highly-anticipated new album 'World on Fire' will be released on September
16 and to coincide with the new release the band will play some very special UK
dates in Leeds, London, Manchester and Birmingham.
Tickets will go on sale Friday 30th May at 10am.
So no better time then now to chat to SLASH and MYLES
KENNEDY about the album and the forthcoming tour dates:
WORLD ON FIRE marks your second album with your band
MYLES KENNEDY (vocals), BRENT FITZ (drums) and TODD KERNS (bass). How do you
feel the dynamic between the four of you has evolved?
SLASH: We had a natural chemistry from the very
beginning. The longer we have been together the more it has blossomed. And
because of all the touring and the different situations we have been thrown
into as a band and as players, we have all subconsciously learned from that. It
shows up when we’re writing and when we’re recording. It’s sort of an unsaid
thing, but I can sense it. It’s a natural evolution for a bunch of musicians in
a band together.
MYLES: Over the last four years we have definitely
evolved into a band. Utilizing Todd's vocal prowess and Brent's ability as a
multi-instrumentalist definitely highlights what the Conspirators are capable
of. I feel like it adds to what Slash and I do as songwriters. Not to mention
they are both a big part of the arrangement process. Todd even brought in a
cool progression that we used for the verses in “Shadow Life” and he added an
great intro to “The Dissident” which is really fun.
What are the biggest differences between the last album Apocalyptic
Love and the new album WORLD ON FIRE?
SLASH: The biggest difference is that the band has also
has naturally evolved with so much touring and all of these different things.
There’s a difference in musicianship that shows on this record and the
songwriting skills especially.
The other difference is the fact that we recorded both
albums live, but we kept the first one (Apocalyptic Love) just live. That
was it. There was no over-dubs or layering or any kind of studio
techniques. With WORLD ON FIRE I wanted to do guitar harmonies and double
up parts and just create sounds. It’s a little more produced record in
MYLES: We didn't spend as much time fine-tuning
arrangements as a unit during the Apocalyptic sessions. I think that’s
part of the reason this record sounds as cohesive as it does. Slash spent a lot
of time with Todd and Brent working on arrangements while I was on tour with
Alter Bridge late last year. When I got off the road, I met up with them in LA
so they could get a feel for how the songs felt with vocals. Another
difference is that Slash played all the guitars on WORLD ON FIRE. During
the Apocalyptic sessions I sang and played guitar which was fun, but
it definitely cut into the amount of time I had to focus on lyrics, etc. Not
playing guitar on WORLD ON FIRE gave me additional time to fine-tune
lyrics and melodies which improved the songs in the end. I'm very happy with
how it turned out.
For WORLD ON FIRE you teamed up with producer Michael
"Elvis" Baskette (Alter Bridge, Falling In Reverse, Incubus). What do
you feel he brought to the table?
SLASH: Elvis is very conscious about guitar and guitar
tones as well as drums, bass and vocals. For me, it is important to work
with somebody who is very dialed-into guitar sounds. In this particular day and
age it’s a rarity to find someone who really understands guitar sounds.
Elvis is an extremely hard-worker. I consider myself a hard worker as well as
Myles. He was somebody that, over the course of making the record, gave me an
even more of an extra push in some moments. So he brought out the best in me as
well as Myles and the drums and everything. He was a pleasure to work
MYLES: Elvis is brilliant. It's the fifth record I have
had the pleasure of recording with him. His ability to get the best out of a
rock band is pretty special. He always seems to be aware of what the fans want
to hear from an artist. He did a great job documenting Slash's tone and sound.
I remember the first time I heard the solo for “Battleground”--I was blown
away. Elvis captured the sonic hallmarks that made Slash's playing resonate
with me 25 years ago. Elvis is hands-on with every element of the
recording process. From the arrangements to the final mix, he is relentless at
making sure that the record is everything it should be and more.
Did you guys experiment with any new sounds with the
SLASH: Yes and no. The whole record sounds new
compared to the last album. Yes we did do a lot of tonal and EQ and guitars. I
can’t say we were looking to break ground with new technology, because we did
this to tape. But from a tonal and equalization point of view, we definitely
broke a lot of new ground.
MYLES: That would be a question for Elvis or Slash. I can
definitely hear some new approaches that I haven't heard on the last two
What makes “World on Fire” the perfect single choice?
SLASH: I think there’s a lot of singles on the record,
but it’s a good kick-off song. It’s up-tempo, aggressive, it’s a fun song. I
love the whole world on fire, larger-than-life kind of vibe that the title and
MYLES: It's got a certain intensity and drive that made
it a compelling choice for the lead-off track.
In what ways are we all suffering from a World on Fire?
SLASH: To be literal about it, we have the global
warming thing. But that’s not the catalyst for the title. “World on Fire” is
more of a tongue-in-cheek, positive, fun thing-- it has a lot of sexual
connotations in the actual song itself. It’s a euphemism for going a little bit
crazy and pulling out all the stops.
MYLES: “World On Fire” isn't necessarily a profound
statement about where we are as a planet. It's about living life to the
fullest....carpe diem. Some might perceive the track as carnal in nature, but
the idea of seizing the moment and doing what makes you happy is the overall
theme. Then again, it's not up to me to dictate what a song will mean to
everyone. All I can do is tell you what was going through my head as the lyrics
were being written.
What are a couple of other songs that you feel are
highlights for you right now?
SLASH: When doing a record I hate to identify with any
one particular song or two particular songs. It’s not like the record is
written with one great song and the rest are filler. They all mean as much as
the others. There are a few songs that are very different than what we did on
the last record. There’s a song called “The Unholy” which was influenced
by my work in film. There’s another song called “Thirty Years to Life” which is
a little bit of a departure. There’s another song that sticks out in my mind
called “The Dissident” that’s a little bit unpredictable compared to stuff that
people would expect from us.
You’re touring with Aerosmith this summer for the “Let Rock
Rule” tour. It feels like true rock is needed more than ever in a very
pop-driven landscape. How do you guys feel about this?
SLASH: I am a Rock n’ Roll guy. The music
business has become a pop-oriented sort of thing and all of the different music
genres have become pop. I love the fact that I am doing Rock n’ Roll and have
always done the same thing from a very heartfelt place. Aerosmith has
represented that to me ever since I was kid. The two of us going out there and
doing this big tour and holding that banner and doing it as sincerely as it can
be done is something that I can be proud of.
MYLES: Though rock is not the force that it once was
in America, it still has a loyal fan base that always seems to continue
regardless of what popular culture deems as the "cool thing." It's
great because you go to a rock show and you know folks aren't there because
they are following trends, they aren't fair weather fans, they’re following
their heart and listening to music that they love. People have been saying rock
is dead for years but the reality is that it just falls out of favor with pop
culture from time to time. The rock fans are still out there and that's why a
tour like this is so important.
Labels: gigs and tours, gigsandtours, Guns and Roses, Guns n Roses, Myles Kennedy, Slash, Slash Live